Television-clad Argyll home broadcasts one e-waste solution
September 29 2022
A one-of-a-kind family home clad in recycled television screens is giving people something to look at in Dalmally, Argyll.
Hundred Acre Wood by Denizen Works targets the growing problem of electronic waste, by recycling unwanted screens for a modern aggregate inspired by traditional harling.
The novel material is one of several stand-out features of the Loch Awe retreat, with deep windows punching through heavy walls evoking a broch or tower house - reinforced by the absence of outsize flat screens beyond those already pulverised. Instead, a dramatic feature hall serves as the focal point, its dimensions tailored to ensure ample headroom for an 18ft Christmas tree.
In a press statement, the architect wrote: "The house is designed around a central double-height hall, enclosed by a protective inhabitable wall containing the primary accommodation. Living and dining spaces have prime views while the house stretches across the landscape to the south, making most of the sun in the two-storey bedroom wing. Thick walls with deep window reveals enhance the sense of protection and sculptural quality of the spaces.
"We developed a unique and contemporary take on traditional Scottish harling, inspired by our client’s disdain for television. Using recycled TV screens as an aggregate for the cladding gives the house its unique and changeable character that responds to the elements."
Photography by Gilbert McCarragher
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22 Comments
A Bond baddie’s bunker. A bleak bastion of bad taste. A chilly, cheerless castle of conceit. A miserable Minecraft monument to money. Built for a financier, will it even bring joy to him? Sadly the answer is yes, it probably will.
For everybody else this is a big single finger raised to the Scottish countryside, and in particular Dalmally.
All the recycled virtue-signalling in the world can’t offset the audacity and sheer needlessness of a guy constructing a 650 square metre house (I’m guessing a second home) in the countryside. The negative impact both visually. and in generated CO2, is breath-taking.
As with many publicity-seeking buildings, there’s a strong Emperor’s New Clothes feel here, with expensive photographers and Guardian puff-pieces all present and correct, but I’ll come out and say it: this is an ugly building, tasteless and inappropriate on many levels.
I do admire the designers namechecking CRM in their blurb though – that’s Grade A chutzpah.
For what it's worth i think people can spend their money how the like and if the client is happy then good stuff. The building itself reminds me of that of the odd building half way down the hill from the Gleniffer Braes on the way into Paisley
Not to mention that it is built with concrete and PIR insulation. All the crushed T.V. glass in the world couldn't offset the embodied carbon of just those two materials used at such scale on display here.
This is green-washing and nothing more. We should expect significantly better in this day and age.
Apart from that, do I care about the design or have any emotional response to it? Not one jot. Should just have stuck to the stock market.
It looks derelict. It's freshly completed but looks abandoned. The gaping dark windows, grey 'concrete' walls, apparent lack of roof and deforested landscape give it a post-apocalyptic feel.
It's Polphail ghost village.
If you want to crow about the extravagance of this house come here and observe our hills permanently suffocated in Sitka Spruce and scarred by the massive number of windfarms and their associated lines of totem-like pylons running over our previous wilderness, all for the economic self-destruction of 'net-zero'.
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